You may (or may not) have noticed the intermittent, yet ongoing, production from my studio. There was the fabric dyeing day, followed by multiple screen printing sessions using my old thermofax machine to burn screens. Now, I’m finally turning the printed and dyed fabric into blank journals and sketchbooks.
The books have soft covers that I create by attaching the fabrics to Pellon Fuse-n-Shape, a thick, iron on interfacing that gives the covers some thickness without making them too thick. The binding is a variation of the coptic stitch and sewing over tapes. I like this binding because it leaves the spine exposed, and allows the visible stitches to become part of the aesthetics of the finished book. This binding is also sturdy and allows the book to lie completely flat when opened, a desirable quality when writing or drawing.
I have fun coordinating the cords, threads, and fabrics to individualize every book– no two are identical. Sometimes, I choose contrasting fabrics for the front and back of the book to add visual interest. So far, I have constructed six of these soft cover books and, with each one I complete, I learn a little more about the small things I’d like to finesse.
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Fine and delicate artworks ❤
WOW 😀
Ciao
Sid
Thank you. 😊
Miss Bean is divine
Thank you. She thinks so, too!
Those are fabulous. 🙂
Thank you so much 🙂
You are welcome. 🙂
That one with the top of the cat’s head would do well at the holiday show! All cool, though.
Ooh, good to know! Thanks 🙂
Wow, you’re very creative mashAllah!
Thanks!
Reblogged this on A. West Reading.
Wow! Thanks for the re-blog!!